Over the years, often associated with Cirebon batik motif that characterized Megamendung batik from the port city. In fact, the history of batik Cirebon far richer than just a mere Megamendung motive. History since it began centuries ago, as community development Cirebon. Trusmi region, known as producer of batik in Cirebon, will also grow in these developments. It is believed, is an extension of Trusmi batik batik habit among the citizens of the palace. At that time, the activities conducted in the batik only because batik palace became a status symbol for families sultans and nobles Cirebon. However, due to wars and divisions of power, batik crafters palace was eventually repatriated to their respective regions. One such area is the origin of crafters Trusmi, where batik Cirebon growing.
Cirebon region which is a major port became one of the factors that influence the development of batik. The existence of acculturation beliefs, arts, and culture and merchants brought the past to give a new color which gave birth to the concept of coastal batik. Injections of Oriental influence of merchants from China is not less add vibrant batik Cirebon. Create a new motif, like an imaginary beast, Kirin and the dragon, and the use of color combinations that tend to be brighter. The palace itself batik motifs are not independent of the influence of acculturation. This is evident in several collections of batik which has a touch of the Oriental Palace, both in terms of coloration and range hiasnya. However, the progress of the industrial era and make batik nobility status symbol is eliminated. Consequently, the prestige of Keraton Cirebon batik fade, even virtually run over time.
In contrast, fast-growing coastal batik. Coastal communities to be the main dispersal agent, they dealt with many other nations, which then enrich the coastal batik motifs and colors. Batik is no longer imposed by a limited circle, even a commodity trade and livelihood for the people of Cirebon until now. Contrast these conditions presents its own anxiety. However, batik is a national heritage that must be preserved. Moreover batik save a lot of stories of the past history and philosophy of life that our ancestors adopted. Departure from these concerns, the 12th generation of Sunan Gunung Jati, in cooperation with the Association of Indonesian Cultural Conscience (PBNI), and is fully supported by the Bank BRI, founded the Palace Kanoman Batik Training Center. "Batik Keraton Cirebon Kanoman is a cultural inheritance which has a high historical value which should be preserved, but unfortunately forgotten now starting their own community. Accordingly, we, together with BRI and PBNI establish training centers as a way to introduce batik back Kraton Kanoman Cirebon batik," Cirebon Kanoman said Sultan Raja Sultan Mohammad Gusti Kanjeng Emirudin.
For that, the sultan appointed his sister, Queen King Arimbi Nurtina as the manager of the training center. Arimbi queen who was also once an imperial secretary, expect in the future the training center could be the first step to re-awaken Kanoman Keraton Cirebon batik. "Now this palace is unique batik began forgotten, but with this training center, we expect that citizens can see more of Cirebon's own culture, as well as increase tourism commodities in Cirebon," said Queen Arimbi, adding the training center also offers workshops for tourists who are interested. Focused at the Palace Kanoman Cirebon batik training center has become one of the most interesting activities to be witnessed. Currently the training center to train 20 artisans who made up local people. They not only trained in batik se, but given a thorough knowledge about the batik process began early depiction of the process until the staining pattern. Not only that, the trainees are also given information about marketing techniques and distribution of batik. That way, later will get the batik crafters as well as independent entrepreneurs.
"This is still an experimental program, but this training will be expected to bear not only the craftsmen, as well as batik entrepreneurs who are more likely to form a commercial business," said Queen Arimbi
Batik Excellence Trusmi
Repeatedly in each ongoing exhibition of batik in Jakarta and other cities are often the buyer asked me, "What advantage Trusmi batik or batik-batik Cirebonan compared with batik from other areas?" The answer to my more or less as follows: In my opinion that batik-batik basically generated by the centers of batik from various regions in general is very good and has a very diverse styles and motifs typical of batik and can not say one is better than from other regions. The uniqueness of the resulting pattern motifs and batik-batik from various regions are the most extraordinary power, especially for the wealth of Indonesian batik. Did not exist in any country who have wealth like batik designs which is owned by the Indonesian nation.
When we want to see the many riches Indonesian batik designs are the simplest example can be seen in the area of West Java. Although still in haracter and motives of different designs. Between Cirebon and Garut also has the distinction very far away and very significant difference. In general, Cirebon batik including batik into coastal groups. But also some batik batik Cirebon Keraton included in the group. This is because in Cirebon has two royal palace and the palace is Keratonan Kasepuhan Kanoman, supposedly based on the history of these two royal palace appeared a few classic designs such as Cirebon batik motif Mega Unisex, Paksinaga Liman, Patran Keris, Lion Umbrella, Singa Barong, Banjar Balong, Alas chicken and others.
Some important things that can be advantages (typical) compared to the production of batik Cirebon batik from other regions are as follows
1.Batik Cirebonan for the traditional classic designs usually involves wadasan motif (rock) on the part of certain motifs. Besides, there is a cloud-shaped decorative element (mega) on the parts that are adjusted with its main motif.
Cirebonan 2.Batik traditional / classical is always characterized by the background (base fabric) younger than the color line color of the main motives
3.Bagian background / basic fabric clean of stains are usually black or colors that are not desired due to the use of wax that broke and resulted in the coloring process unwanted dye attached to the fabric.
4.Garis-line Cirebonan batik motifs on the use of single lines and thin (small) approximately 0.5 mm with an older line of color compared with the background color. This is because the process of batik Cirebon superior in closing (blocking area) using a special canting (canting walls and bleber).
5.Warna-colored batik classic Cirebonan dominant color is usually yellow, black (Sogan pads) and a cream base color, some dark red, blue, black base color with beige or ivory fabric.
The fifth feature is a technical one advantage of batik Cirebonan classical / traditional. As with the group that includes Cirebonan batik batik coastal groups. Cirebonan coastal batik character as the character of the population affected by coastal communities, which generally have a soul open and receptive to foreign influences. The area around the port is usually a lot of strangers stopped, anchored to the place of other ethnic marriages (assimilation) so Cirebonan coastal batik is more likely to accept outside influences.
Cirebon Batik is more likely to meet or follow consumer tastes from various regions (more to the fulfillment of commodity trade and komersialitas), so the colors more attractive coastal batik Cirebonan using many colors.
Cirebonan batik production at present consists of Batik Tulis, Cap and batik batik stamp stationery combination. In the year 1990 - 2000 there are some communities in the craftsmen who produce batik Cirebonan Cirebon batik fabric with hand screen printing techniques (hand printing), but lately the hand silk-screening technique is almost extinct, due to losing everything by the technique of screen printing machines owned by the companies more large.
Producing areas of production and Cirebonan batik craftsmen available in five different rural areas, precisely the areas that surround the village Trusmi (Cirebonan batik center). The villages around the village including the village Trusmi Gamel, Kaliwulu, Wotgali, Kalitengah and Panembahan. Trusmi batik growth appears to move quickly beginning in 2000, it can be seen from the number of emerging-showroom batik showrooms around the main village road and Panembahan Trusmi. Batik showroom owner Trusmi almost entirely owned by the original Trusmi community although there are one or two are owned by the owners of capital from outside Trusmi ..
batik history Trusmi
Batik art is an art image on the fabric which has become one of the cultures of the family palace. Originally developed only in the environmental batik palace, and the results are only in use within the palace alone. In Cirebon regency there is a village which is the central batik. Name of Village Trusmi village which is divided into two parts, namely Trusmi Kulon and Trusmi Wetan. The second village is situated around 5 km from the city center. Trusmi Batik began in the 14th century, when it was new Trusmi Village was officially established. Batik trusmi itself comes from the Palace environment Pakungwati who at that moment in time still led by the Ancient Teak Kanjeng Sinuhun or better known as Sunan Gunung Jati.
At that time the Sultan of Cirebon memangil Trusmi people that is one of the students of Prince Cakrabua which at that time led the Village Trusmi. He asked the people Trusmi it to make a batik like hers without bringing examples of batik. Examples that may only be viewed batik motifs and color only. After several days of students from the back facing Cakrabuana Prince Sultan to Sultan memperliahatkan batik Kanjeng orders which he had created. At that time people are asking trusmi original batik to Kanjen Sultan, who then dibungkuslah both batik that. At that time students also requested that Cakrabuana Prince Sultan Kanjeng choose his own original batik. But because of the similarity Kanjeng Emperor himself was not able to discriminate between genuine batik batik possessions and where these students made. Finally Kanjeng Sultan admitted that batik people trusmi very slick, and in accordance with existing reservations that are different without the slightest of his request. Since the event was introduced to batik trusmi trusmi village and surrounding communities.
Now the village Trusmi already inaugurated by the government as a central Kabupeten Cirebon batik, which merupkan one tourist attraction in the Cirebon. Thanks to the readers, I strongly expect criticism and advice from relatives - brother to further make this story even better, and not just a story that sejare - Quantcast ....
Customs Trusmi Village
1) Each night a AsSyura Council of Nine and four people entered the annual meeting, attended by community leaders and community around. In this event was also held joint prayer, the reading evaluation last year, plan a year ahead, and History related to the Village.
2) Every charity ahead of the rainy season is held or called Memayu earth. Central Hall is replacing a roof made of welit Pekuncen. In this event there are also events pageant -.
3) Every one tiger or eight years held the turn of the roof made of shingles. Who is the roof shingles are made of teak wood. But along with the diminishing quality of wood shingles open implementation of these four years, but still does not change the original so that the open shingle custom made half - half.
4) Muludan, commemorating the Mawlid of Prophet Muhammad which was held on 25 Mawlid or called Selawene.
5) Every December 21, 23, 25, 27, 29, the month of Ramadhan Council of Nine and four orag Maleman entered selametan called in turn.
6) On December 1st Syawal in great community - trooped rice and alms to the Hall, etc. to be distributed back kemasyarakat Pekuncen disadvantaged. Also, every person who has family in general give tithe to the members of his family at the Mosque which was subsequently distributed back to communities in need.
7) On December 10 Dzulhijah, just like a Ramadhan that is giving alms in the form of rice and other - other. In addition, there are many people who perform the Sacrifice at the mosque.
8) Every Friday night, especially Friday night tahlilan Kliwon held with the intention to reach out to the Almighty and pleaded Karomahnya Mbah Buyut Trusmi. In addition to Friday night event was also carried tahlilan on Monday night and Thursday night, just not as busy as Friday night. Because the night Monday and Thursday night was just the closest Trusmi.
9) Each month Sapar serve communities hold sukuran form or Cimplo Apem Kueh, called the event ngapem. And
10) In the month AsSyura community, especially the Council of Nine held kenduren selametan or form to make porridge or Syuraan Shura. Selametan or kenduren This is a form of gratitude for the events - previous events, and as a symbol of a sense of mutual cooperation.
Village History Trusmi
After approximately 35 years the establishment Pakuan Cirebon. Precisely in the year 1426, Cirebon has altered the form of a Pakuan became a kingdom. And at the time the leadership handed over to the sons of the marriage of Queen Mas Rara Jones with Sharif Abdullah or the King of Egypt. He named Sharif Hidayatullah, surnamed Ingkang Sinuhun Kanjeng Sunan Jati Panetap Panatagama Awliya Allah Ancient Age Kutubid Khalifatur Rasullah or better known as Sunan Gunung Jati. He was appointed by the Ki-law Kuwu Cerbon II or Prince Cakrabuana to get the Queen Maro Pakungwati.
After Keraton Cirebon He handed over to the law go to the west, toward a building that is still an emergency. It is said that the place is a resting place when he opened the forest to agriculture.
Upon arrival, the building was repaired and enhanced to be used as a mosque and Islamic boarding school. Since then he settled and lived there. Not for some time the area became a densely populated settlements, most of the population are students of He.
Then the area was given the name derived from the word TRUSSEMI Continue blossom, which means that what is planted continue to flourish. And Beliaulah antecedent nominated by the community as a leader of the area.
Will tetpi in all kinds of affairs has kuasakan to some people he trusted:
1. State affairs, he submitted to a village head or called Kuwu.
2. Affairs boarding school, he submitted to the Council of Nine, who the order as follows:
A person as General Chairman called Syef,
Four men as their leaders - their full power at weeks I, II, III, and IV in turn called Kyai,
and four more people on duty to supervise and serve Kyai, and serve the guests who come to the place is. The so-called savior Kuci. Task Interpreter Lock also like Kyai innings.
In performing its duties the Board is assisted by nine or Kemit Sambang consisting of 16 persons: four people in one week. So in a week consisted of one person Kiai, a person Interpreter Lock, and four people Sambang or Kemit.
Council of Nine was chosen by a male society - men and still have descendants of Trusmi. Nine Council tenure is for life, so the turnover is made where the Board of Nine from one of these nine died of the Board, and of the Council of Nine candidates must have descended from the Council of Nine.
3. He handed to the Religious Affairs of the four men, namely:
1 person lebe, is the head of these four people, lebe appointed by the Village and as a civil or village officials,
1 person Ketib or Khatib, a representative from lebe,
One person or Muadzin , and
One person or Marbot .
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